Teaching Philosophy
I am an artist who teaches. I consider this to be of paramount importance as the arenas of performance and education prove to be evermore so inseparable. Indeed, the most vital thing a teacher can do is render their continued physical presence in a student's life unnecessary. As an artist, I am my own teacher during my preparatory work for a performance. Thus, as my playing informs my teaching, my teaching increasingly informs my playing. In this way, I hope to be an example to my students throughout our time together.
Playing the piano can prove to be nothing short of life-altering. Some students may be inspired enough to explore a career path. Others will come away from their studies possessing a skill that enhances their quality of life and enables them to do the same for others. One's appreciation of music only deepens through studying the piano. As a clearer understanding of musical aesthetics develops, so does a heightened awareness concerning listening, increasing the value of any musical experience.
Concerning young students, the significance of piano study increases exponentially. Piano lessons give students a new perspective on invaluable life skills such as commitment, responsibility, dedication, patience, determination, confidence, discipline, focus, and delayed gratification. Piano lessons offer supplemental benefits, namely, the development of cognitive awareness, memory, critical thinking, visual tracking, auditory reception, and motor skills.
More than anything, I want students to enjoy making music on the piano. However, I also hope students learn to appreciate how consistent and conscious practice nurtures pleasure through constant discovery. While excitement and happiness are outgrowths of accomplishment, students will learn over time that accomplishment is directly related to dedication. It is not my concern that every student become a concert pianist. However, throughout our pianistic journey together, students will begin to realize that if something is worth doing, then it should be worth doing correctly, wholeheartedly, and to the best of their ability. Achievement and satisfaction feed the desire to excel and yield increased self-esteem, which in turn provides the opportunity for students to succeed.
As a teacher, I want to cultivate independent and critically thinking musicians. A successful student will possess technical proficiency and the required understanding of a piece's origin, structure, and content to artistically communicate its inherent aesthetics in the best possible way. I hope to provide students with and help them develop a solid technical foundation, good practice habits, a system for learning a new piece that promotes confidence and independence, good listening and problem-solving skills, exposure to different styles of piano literature, and a secure foundation in music theory and history. I consider each student's particular needs and learning style in every situation when designing a curriculum. The result is an approach centered around their learning modality that simultaneously strengthens areas of need.